Arri Alexa Lf

Availablity: In stock

AED 6500 / Day


What's Included

 

S.No

Equipment’s

Qty

1.    

Arri Alexa LF body with LPL Mount

1

2.    

2TB Codex Cards

2

3.    

LPL to PL mount

1

4.    

EVF

1

5.    

EVF Cable Small

1

6.

Shoulder Pad

1

7.

Swiss Tool

2

8.

B-Mount Battery

4

9.

Charger

1

10.

Card Reader

1

11.

Handle with Trigger

2

12.

Flight Case

1

13.

Audio Cable

2

14.

Bottom Plate

1

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

 

The ALEXA SXT LF offers an array of recording format choices in ARRIRAW and ProRes, recording to 1 or 2TB SXR capture drives, or SxS PRO+ 256GB cards. With a base sensitivity of EI 800, 16-bit processing, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. Frame rates up to 150 fps produce smooth slow motion and enable capture for higher-clarity HFR (High Frame Rate) projects.

 

The wireless connectivity of the ALEXA SXT W is built into the ALEXA LF, providing Wi-Fi and compatibility with ARRI ECS lens/camera control systems. One WVR-1 receiver is included in this basic kit, offering wireless video transmission in a range up to 2000'. An internal filter holder can be used to insert one of eight Large Format Full Spectrum Neutral Density (LF FSND) filters (available separately). Additional ALEXA LF features include compatibility with existing ARRI Look files and workflow, clip playback in both ARRIRAW or ProRes, and 2-channel, 5-pin XLR audio input. This basic ALEXA LF set also includes SXR and SxS media adapters, the EVF-1 electronic viewfinder with a VMB-3 mounting bracket and cable, the CCH-1 center carrying handle, and an SD card for storing/loading LUTs, SUPs, etc.

 

Large Full-Frame Sensor with Three Operating Modes

Like the entire ALEXA line, the ALEXA LF combines high-resolution with an optimal pixel size for excellent image quality. The ALEXA LF offers a choice of recording in 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.

Native 4K Recording with ALEXA Image Quality

The ALEXA LF records vivid, nuanced images with natural-looking skin tones in native 4K. Its colorimetry is compatible with HDR (High Dynamic Range) and WCG (Wide Color Gamut) workflows, providing a subtle, immersive look.

Array of Recording Choices

Recording rates (using SXR capture drives) range from 90 fps ARRIRAW to 40 fps ProRes 4444 XQ in LF Open Gate, 90 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 16:9, and 150 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 2.39:1 anamorphic. ARRIRAW and ProRes 444 XQ/4444/422 HQ/422 options are available in all three sensor modes.

Wide Exposure Latitude

A base sensitivity of ASA 800, reduced noise, and a dynamic range of 14+ dovetails with HDR workflows.

New LPL Lens Mount

The new LPL lens mount, designed specifically for large-format sensors, is integrated into the ALEXA LF. With its wider diameter and shorter flange focal depth than the original ARRI PL mount, LPL-mount lenses can be designed smaller and lighter than earlier large-format optics.

ARRI Signature Primes

ARRI now offers a range of 16 large-format, LPL-mount Signature Prime lenses, ranging from 12 to 280mm. These separately available lenses display natural skin tones, smooth bokeh, and an organically pleasing look. The Signature Primes feature ARRI's quick and comprehensive LDS-2 lens metadata system, and are constructed with machined magnesium for durability and lighter weights.

Compatible with PL Lenses, ALEXA Accessories & Workflow Tools

The ALEXA LF camera works with existing ALEXA-compatible lenses, accessories, and workflows. Use your favorite existing ARRI Look files and software tools with the ALEXA LF. A separately available PL-to-LPL mount adapter attaches to any PL-mount lens, both Super 35 or full-frame. The ALEXA LF transmits data from LDS-2, LDS-1, or /i (Cooke) lens data systems.

Same Wireless Connectivity as the ALEXA SXT W

The ALEXA LF features the same integrated Wi-Fi and wireless video transmitter as the ALEXA SXT W, providing quick compatibility with the included WVR-1 wireless video receiver, as well as ARRI's various ECS (electronic lens/camera control system) components. This built-in wireless system saves build time on set, reduces cable spaghetti, and saves weight on your camera rig.

Image Processing

Internal: 16-bit linear processing in full ALEXA Wide Gamut/Log C color space

Target Output: Log C, Rec 709, or Rec 2 color spaces

Supports ARRI Look File (ALF-2) with CDL values and a 3D LUT

3D LUTs available for SDR, HDR PQ, and HDR HLG

Internal ND Filter

One of eight available Large-Format Full-Spectrum Neutral Density (LF FSND) filters can be manually inserted in front of the ALEXA LF sensor (ND 0.3 to ND 2.4).

Playback

Play back your ARRIRAW or ProRes clips from the ALEXA LF.

Technical Specifications

Technical Data
Model
ALEXA LF
Sensor Type
Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
Sensor Maximum Number of Photosites and Size
4448 x 3096
36.70 x 25.54 mm / 1.444 x 1.005"
⌀ 44.71 mm / 1.760"
Sensor Frame Rates
0.75 - 150 fps
Weight
∼7.8 kg / ∼17.2 lbs
(camera body with LPL lens mount)
Photosite Pitch
8.25 μm
Sensor Active Image Area (photosites)
LF Open Gate ProRes 4.5K: 4448 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 3840 x 2160
LF 16:9 ProRes 2K: 3840 x 2160
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4448 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
Sensor Active Image Area (dimensions)
LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
Recording File Container Size (pixel)
LF Open Gate ProRes 4.5K: 4480 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 1920 x 1080
LF 16:9 ProRes 2K: 2048 x 1152
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4480 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
Recording File Image Content (pixel)
LF Open Gate ProRes 4.5K: 4448 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 1920 x 1080
LF 16:9 ProRes 2K: 2048 x 1152
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4448 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
Dynamic Range
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index
Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
Shutter
Electronic shutter, 5.0°- 358°
Recording Formats
ARRIRAW (.ari)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Recording Media
SXR Capture Drives
SxS PRO+ Cards
Recording Frame Rates
LF Open Gate ProRes 4.5K: 0.75 - 60 fps
LF Open Gate ARRIRAW 4.5K: 0.75 - 90 fps
LF 16:9 ProRes HD: 0.75 - 60 fps
LF 16:9 ProRes 2K: 0.75 - 60 fps
LF 16:9 ProRes UHD: 0.75 - 60 fps
LF 16:9 ARRIRAW UHD: 0.75 - 90 fps
LF 2.39:1 ProRes 4.5K: 0.75 - 100 fps
LF 2.39:1 ARRIRAW 4.5K: 0.75 - 150 fps
Recording Modes
Standard real-time recording
No Pre-recording
No Intervalometer
Viewfinder Type
Electronic Viewfinder EVF-1 with 235 eyepiece
Electronic Viewfinder EVF-2 with ARRICAM eyepiece
Viewfinder Technology
EVF-1: F-LCOS viewfinder display
EVF-2: OLED viewfinder display
Viewfinder Resolution (pixel)
EVF-1: 1280 x 784
EVF-2: 1920 x 1080
Viewfinder Diopter
Adjustable from -5 to +5 diopters
Color Output
Rec 709
Rec 2020
Log C
Custom Look (ARRI Look File ALF-2)
Look Control
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
White Balance
Manual and auto white balance, adjustable from 2000K to 11000K in 100K steps
Color correction adjustable range from -12 to +12 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters
Manual behind the lens FSND filters: Optical Clear, 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4
Fixed optical low pass, UV, IR filter
Image Outputs
1x proprietary signal output for EVF-1/EVF-2 viewfinder
4x MON OUT: 1,5G (SMPTE ST292-1) and 6G (SMPTE ST2081-10)
uncompressed HD video with embedded audio and metadata,
Lens Squeeze Factors
1.00, 1.25, 1.30, 1.50, 1.65, 1.80, 2.00
Exposure and Focus Tools
False Color
Peaking
Zoom
Audio Input
1x XLR 5pin balanced stereo line in
(Line input max. level +24dBu correlating to 0dBFS)
Audio Output
3,5mm stereo headphone jack
SDI (embedded)
Audio Recording
2 channel linear PCM, 24 bit 48 kHz
Remote Control Options
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
Remote Control Unit RCU-4 via Ethernet
Interfaces
1x LEMO 5pin LTC Timecode In/Out
1x BNC SDI Return In
1x LEMO 16pin EXT for accessories and sync
1x LEMO 10pin Ethernet for remote control and sync
1x SD Card (for user setups, look files etc)
3x Fischer 12pin connectors for CLM lens motors
2x Fischer 5pin LCS Lens Control System connectors for hand units
Wireless Interfaces
Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
Built-in Wireless Video System: 1920 x 1080, range 600m (2,000 ft) line of sight, OFDM (Orthogonal Frequency-Division Multiplexing) Bandwidth 40MHz, latency <1ms
Lens Mounts
LPL lens mount
PL lens mount
Flange Focal Depth
LPL mount: 44 mm
PL mount: 52 mm
Power Input
1x Fischer 2pin BAT connector (18.5-34 V DC)
1x On-board battery interface (19.5-34 V DC)
Power Consumption
ca. 120 W
(recording ProRes 4444 at 24 fps in LF 16:9 sensor mode onto an SxS PRO+ 256 GB card with EVF-1 and wireless video on but without accessories)
ca. 160 W
(recording ARRIRAW at 90 fps in LF Open Gate sensor mode onto an SXR Capture Drive 2 TB with EVF-1 and wireless video on but without accessories)
Power Outputs
4x Fischer 3pin 24V RS
1x LEMO 2pin 12V
Measurements (HxWxL)
158 x 201 x 351 mm / 6.22 x 7.91 x 14.33"
(camera body with LPL lens mount)
Operating Temperature
-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing
Storage Temperature
-30° C to +70° C / -22° F to +158° F
Sound Level
< 20 dB(A) at 24fps
Software Licenses
-