Arri Alexa 35

Availablity: In stock
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AED 5500 / Day

What's Included

 

S.No

Equipment’s

Qty

1.    

Arri Alexa 35 body with LPL Mount

1

2.    

2TB Codex Cards

2

3.    

LPL to PL mount

1

4.    

EVF

1

5.    

EVF Cable Small

1

6.

Shoulder Pad

1

7.

Swiss Tool

2

8.

B-Mount Battery

4

9.

Charger

1

10.

Card Reader

1

11.

Handle with Trigger

2

12.

Flight Case

1

13.

Audio Cable

2

14.

Bottom Plate

1

ALEXA 35: The New Super35 Gold Standard

ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4.6K sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and richer, more accurate color reproduction. This Lightweight Set combines the ALEXA 35 camera with a Cine License, both an LPL mount and a PL to LPL adapter, a B-mount battery plate, a lightweight support set with both 15mm LWS and 15mm studio rod support, a shoulder baseplate, and a dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

4.6K Super35 ARRI ALEV 4 CMOS Sensor

Key to the ALEXA 35's amazing image quality is a new 4.6K Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.

Video Recording Formats

In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.

Stray Light Suppression

Stray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.

High ISO Camera

With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.

REVEAL Color Science

The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

A new debayering algorithm combines with the ALEXA 35’s impressive processing power to create cleaner-edged images that are perfect for compositing work.

The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.

The AWG4 camera color space is larger than Rec. 2020 but bypasses "virtual" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.

A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.

New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.

The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.

Versatile Lens Choices

This Lightweight Set comes with both an LBUS LPL mount and a PL to LPL adapter, providing compatibility with a wide array of cine-style lenses.

Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options.

The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.

Full Feature Set in a Compact Form

Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports. At 8 x 6 x 5.8", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.

Technical Specifications

Model

ALEXA 35

Sensor Type

 

 

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

Sensor Maximum Number of Photosites and Size

4608 x 3164
27.99 x 19.22 mm / 1.102 x 0.757"
Ø 33.96 mm / 1.337"

Sensor Frame Rates

0.75 - 120 fps

Weight

∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))

Photosite Pitch

6.075 μm

Sensor Active Image Area (photosites)

4.6K 3:2 Open Gate: 4608 x 3164
4.6K 16:9: 4608 x 2592
4K 16:9: 4096 x 2304
4K 2:1: 4096 x 2048
3.8K 16:9: 3840 x 2160
3.3K 6:5: 3328 x 2790
3K 1:1: 3072 x 3072
2.7K 8:9: 2743 x 3086
2K 16:9 S16: 2048 x 1152

Sensor Active Image Area (dimensions)

4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 1.102 x 0.756"
4.6K 16:9: 28.0 x 15.7 mm / 1.102 x 0.618"
4K 16:9: 24.9 x 14.0 mm / 0.980 x 0.551"
4K 2:1: 24.9 x 12.4 mm / 0.980 x 0.490"
3.8K 16:9: 23.3 x 13.1 mm / 0,918 x 0.516"
3.3K 6:5: 20.22 x 16.95 mm / 0.796 x 0.693"
3K 1:1: 18.7 x 18.7 mm / 0.737 x 0.737"
2.7K 8:9: 16.7 x 18.7 mm / 0.656 x 0.738"
2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276"

Recording File Container Size (pixel)

4.6K 3:2 Open Gate: 4.6K (4608 x 3164)
4.6K 16:9: 4.6K (4608 x 2592), 4K (4096 x 2304)
4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152), HD (1920 x 1080)
4K 2:1: 4K (4096 x 2048)
3.8K 16:9: UHD (3840 x 2160)
3.3K 6:5: 3.3K (3328 x 2790), 4K (4096 x 1716)
3K 1:1: 3K (3072 x 3072), 3.8K (3840 x 1920)
2.7K 8:9: UHD (3840 x 2160)
2K 16:9 S16: 2K (2048 x 1152)

Recording File Image Content (pixel)

Identical to Recording File Container Size

Dynamic Range

17 stops

Exposure Index

Adjustable from EI 160 - 6400 in 1/3 stops

Shutter

Electronic shutter, 5.0°- 356° or 1s - 1/8000s

Recording Formats

MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ

Recording Media

Codex Compact Drive 1TB (CA08-1024)
Codex Compact Drive 2TB (CB16-2048)

Recording Frame Rates

ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps
ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps
ARRIRAW 4K 16:9 - 4K: 55 / 120 fps
ARRIRAW 4K 2:1 - 4K: 65 / 120 fps
ARRIRAW 3.8K 16:9 - UHD: 65 / 120 fps
ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps
ARRIRAW 3K 1:1 - 3K: 55 / 100 fps
Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps
Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps
Apple ProRes 4K 16:9 - 4K: 100 / 100 fps
Apple ProRes 4K 16:9 - UHD: 120 / 120 fps
Apple ProRes 4K 16:9 - 2K: 120 / 120 fps
Apple ProRes 4K 16:9 - HD: 120 / 120 fps
Apple ProRes 4K 2:1 - 4K: 120 / 120 fps
Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps
Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps
Apple ProRes 3K 1:1 - 3K: 90 / 90 fps
Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps
Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps
Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps
(Compact Drive 1TB / 2TB)

 

Recording Modes

Standard real-time recording
Pre-recording

Viewfinder Type

Multi Viewfinder MVF-2 with 4" flip-out touchscreen monitor

Viewfinder Technology

OLED viewfinder display
LCD flip-out monitor

Viewfinder Resolution (pixel)

OLED: 1920 x 1080

Viewfinder Diopter

Adjustable from -5 to +5 diopters

Color Output

1. ARRI Color Management Display Render Transforms:
- Rec 709
- Rec 2020
- Rec 2100 PQ
- Rec 2100 HLG
2. LogC4
3. Custom Color Management

Look Control

ARRI Look File ALF-4:
- Import of custom 3D LUT
- ASC CDL parameters (slope, offset, power, saturation)
ARRI Look Library
ARRI Textures

White Balance

Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values

Filters

Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter

Image Outputs

2x VF custom CoaXPress connectors for MVF-2 viewfinder
2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD

Lens Squeeze Factors

1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00

Exposure and Focus Tools

False Color
Zoom
Aperture and Color Peaking

Audio Input

1x LEMO 6pin balanced stereo line in with 12V power output
(line input max. level +24 dBu correlating to 0 dBFS)
Two built-in microphones for scratch audio
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
With LPS-1 Fiber Camera Adapter FCA-1: additional 2x TA3 connectors (MIC/Line, +48 V, AES)

Audio Output

SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)

Audio Recording

4 channel linear PCM, 24 bit 48 kHz

Remote Control Options

MVF-2 viewfinder as wired remote control with 10m/33ft cable
Camera Control Monitor CCM-1
Camera Companion App
ARRI Electronic Control System (ECS)
Web-based remote control via Ethernet & WiFi (beta version)
Camera Access Protocol (CAP) via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
Skaarhoj Remote Control Panel

Interfaces

1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
1x SERIAL (LEMO 4-pin) for distance measuring accessories
1x TC (LEMO 5-pin) for timecode In/Out
1x ETH (LEMO 10-pin) for remote control and service
1x SYNC IN (BNC) for Genlock synchronization
1x RET IN (BNC, switchable on SDI 2)
1x USB-C for user setups, look files etc.
1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters

Wireless Interfaces

Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI ECS lens and camera remote control

Lens Mounts

ARRI LPL Mount (LBUS)
ARRI PL-to-LPL Adapter
ARRI PL Mount (LBUS)
ARRI PL Mount (Hirose)
ARRI EF Mount (LBUS)
Leitz M Mount for ARRI

Flange Focal Depth

LPL mount: 44 mm
PL mount: 52 mm

Power Input

1x PWR (LEMO 8-pin)
1x BAT (camera rear interface / battery adapter)
20.5 - 33.6 V DC

Power Consumption

~ 90 W (Camera body and MVF-2)

Power Outputs

1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
1x 12 V (LEMO 2-pin) for 12 V accessory power out
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap

Measurements (HxWxL)

147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0"
(camera body with LPL lens mount)

Operating Temperature

-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51

Storage Temperature

-30° C to +70° C / -22° F to +158° F

Sound Level

< 20 dB(A) at 30fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature

Software Licenses

ALEXA 35 Cine License (included)
ALEXA 35 Multicam License (optional)